曾(👦)經意氣(🐃)風&#
曾(👦)經意氣(🐃)風發(fā )的刑警(jǐng )豪哥(🔅)，數年前(👏)因(yīn )一樁殺(shā )妻案的(🕡)偵辦疏(🐍)失(shī )而(🤹)遭受(shòu )打擊，再(🖐)也不到(✈)(dào )前線(🗜)偵(zhēn )辦。突如其(📔)來的(de )『(🎳)未成(ché(🏠)ng )年少女砍人案(🐄)』，卻再(🔷)(zài )度將(🍣)他捲入深黑(hē(🛍)i )的漩渦(🎇)(wō )中。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.
A young couple picks the wrong hideout while trying to elude the police.
Au Ve siè(🕉)cle, la ville d’Aquilée, près de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné(🤨) par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’(🍎)un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
生田斗(dòu )真、瑛(🎖)(yīng )太主(🛂)演前少年犯(fàn )题材电(🗓)(diàn )影《友(🐽)罪》，改(gǎi )编自药(yào )丸岳(🆔)的同名(🔳)小说(shuō )，由濑(lài )濑敬久(🔑)执导。
南(🈂)(nán )宋时汉(hàn )水流域河(🗻)盗猖獗(🤦)(jué )，朝廷(🔔)(tíng )为剿灭匪患(🐋)派出(chū(😁) )“横江(jiā(😴)ng )军”精英章盖出(🦗)(chū )任特(🕟)使(shǐ )，稽(📭)查河上大案(à(🔜)n )。查案(à(💛)n )中与退(⬅)役军人莫(mò )客(🕳)偶遇(yù(🧖) )，二人在(🥉)误会中(zhōng )建立友(yǒu )谊(🙄)。恰逢莫(👠)客亲(qīn )人女孩(hái )玉佩(⏳)被(bèi )河(🚵)盗掳走，二人(rén )携手救(🎂)(jiù )出玉(🌷)佩和被拐儿(ér )童，将(jiā(♎)ng )河盗正(🤔)法，还一(yī )方平安(ān )。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
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